Simple Visions

Muscle memory kept Ilya the driver beautiful. He lifted a finger, set the cruise control, answered his cell phone, made the rare use of his turn signal, and his tissue reciprocated magically with new and fabulous striations, rich grains whose alluring strength was uncontained by the suit coat he wore. The eyes of passengers find health and strength like wizards will find water in desert countries where it sits below an inconsequential surface, and the chauffeur was iconic of health and well-being. He held his clientele in the hypnotic sway of either attraction or fearful respect.

for fifteen years, fifteen hours a day he shuttled humans to or back from the airports over the uneven pavement that could hardly be called a proper road, over the seemingly randomly channeled spread of concrete and asphalt divided by temporary concrete rails in new patterns daily, like frost on an airplane window, that crept outward from the unnatural, growing concrete and glass metropolitan crystal garden on the island whose new facets of poured stone and hung glass, that slowest of fluids, he kept framed either in his windshield or in his rear-view mirror. It was a quiet life free of unexpected disappointments he never had to call on his vast strengths to vanquish.

The day he picked up the old nun he was unable to fasten the cuffs on his sleeves. On the third try He gave up on pushing the cuff links through the holes, and when he opened the drawer to replace them on his dresser 3 spiders, each with three stripes on their bellies in the shape of a cross, or a sword, or a crosshairs, made for the corners. He picked up his keychain, holding 3 keys, and left the house.

He arrived three minutes early and, as he was waiting, denied three calls for a pickup in the area. The convent where he picked the nun up was situated on a triangle of land between ill-planned roads, and the front door was on a small porch the old woman had to descend three steps from as she was bade adieu by two other ascetics.

The nun gave him a strange and long look as he lifted her three traveling bags into the trunk of his car, the last of which was unusually heavy. The trunk took three attempts to close. He had three quarters of a tank of gas left.

“That last bag was a heavy one,” he remarked when they had gotten underway.

“It contains the Word.” She replied. Ilya’s mind told him it must just be some devotional fervor that made her response so strange, that it was just religious stuff, but he couldn’t shake the chill that ran down his spine. The rest of the journey was spent in an understandable silence.

She had asked him to take her to an airfield whose name he did not know, but he did not think it was strange until later, until he had been thinking on all the events of the day after the fact.

When he had left her at the funny little airport, alone somewhere far away on Long Island with nothing surrounding it, he stopped for lunch and found that she had left the heaviest bag in his trunk. Somehow he had forgotten to remove it.

He finished his lunch and pointed his car toward the convent to return the bag to his passenger’s cohort, but the windows were dark and, like so many specimens of bungalow architecture, in the building’s eerie vacancy had taken on the mien of eyes seeing for a strange and timeless mind. There was no answer when he arrived.

He brought the car with the bag in it back to his home, where he hefted it with great struggle up the stairs and into his apartment. He set it down beside his computer, which he turned on to check his email and Facebook messages. With dismay at the difficulties he was being forced to surmount, he let the bag fall open, and a large flash drive in the shape of a casket that said “Facebook” on it fell out onto the floor. It was fully large enough to fit a man of his size.

Without thinking, he let his curiousity get the better of him and he lifted the giant vessel to the USB port of his desktop computer. It slid in and mounted and, as it did, the casket opened.

Ilya climbed inside.

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Kurt Wagner Gets Tiny

Lambchop’s Kurt Wagner did a tiny desk concert for NPR’s All Songs Considered last month October 8, I was this evening delighted to learn.

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Yours On All Counts

Amid offhand pissing contests, stories about the more unbearable depression, there you were in the canopy, languid amid the apples of my eyes. When I saw you I told you,

“Seeing you is like hearing bells ringing.”

All you were willing to try was refilling my coffee, was trading a tale of unromantic origins.

You and I fell from the same mold, this is what I was thinking.

“You and I were shipped to the same big box retail giant, Saran-wrapped into the same forklifted pallet, returned in the same consumer recall, implicated in the same class action lawsuit,”

Is what I said.

You weren’t not unsure of how to respond, but you also just didn’t seem concerned while I remained conscious of my elephant gun clumsiness, my proletarian design features, my reaching for an acceptably unhaughty demonstration of the goodwill toward couture while still remaining able to stay in touch with my relatives.

No more coffee, no more small talk, all this caffeine and frustrated ambition makes me fart, and I want to control the airs I put on for you. You, who sit in disdain of all effort as you foil me.

“If this is really all there is, if that is the case,” you say with a tired heft of your eyelashes, “I wish you’d say something to me that doesn’t already contain its own end. I wish you’d stop chasing your tail and match the universe with your ambition. You’re not giving me anything to hold on to, and being cruel and being kind have in common that they can only go so far. I’m becoming irritated at embodying your clichés. I wish you’d tell me your own stories.”

Alright.

“I quit,” Is what I say as I stand up. “I’ll meet you when your shift is over and we’ll change our names so our last paychecks can never reach us.”

“I’ll never be able to serve you coffee again.” You pretend to be saddened to inform me.

“I’ll never have to build time for longing into my day again.”

“Yes,” you say, “You’re getting it. Now tell me again about bells ringing. Now I’ll know it’s true.”

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2666

“2666: A Novel” (Roberto Bolano)

I followed them: I saw them go down Bucareli to Reforma with a spring in their step and then cross Reforma without waiting for the lights to change, their long hair blowing in the excess wind that funnels down Reforma at that hour of the night, turning it into a transparent tube or an elongated lung exhaling the city’s imaginary breath. Then we walked down the Avenida Guerrero; they weren’t stepping so lightly any more, and I wasn’t feeling too enthusiastic either. Guerrero, at that time of night, is more like a cemetery than an avenue, not a cemetery in 1974 or in 1968, or 1975, but a cemetery in the year 2666, a forgotten cemetery under the eyelid of a corpse or an unborn child, bathed in the dispassionate fluids of an eye that tried so hard to forget one particular thing that it ended up forgetting everything else.

-Auxilio Lacouture, speaking in Bolaño’s Amulet

Bolaño’s really big last hurrah began to regale the retinas of English-reading humans the world over on the 7th, when 2666 was unveiled to the tune of free booze, party crashing, and the kind of literary elbow-rubbing that hasn’t been available to the salon set since Dostoevsky’s St. Petersburg. My 898-page copy of the volume sits ensconced in portent on my bookshelf as I try to get a few other in-progress volumes out of the way. The definitive article on this rare auteur who spent is life dancing in intimate proximity (close fighting) with the many faces of his only fellow combatant, life, remains here at The New York Review of Books.

However, for those who are in a hurry, the short version is thus: Bolaño was a Chilean who had moved to Mexico in his youth, returning to Chile right before Pinochet’s coup, where he was jailed for left-wing activities. He was recognized by a guard who had been boyhood schoolmate and released. Without that fortuitous intervention of fate, the writer would more than likely have met his end long before any of his books had been written.

2666 is a sprawling 5-volume work spanning the demarcations of geography, the echelons of culture, and the many-fathomed spaces composing the convoluted machinations of human cruelty. Bolaño, a sufferer from Hepatitis C, the result of a heroin addiction, and a poet who began writing fiction in earnest as a means to provide for his family, envisioned 2666 as a serial, the release of each volume spaced so as to afford his family the maximum benefit of the proceeds from sales in his definitively foretold absence. Following his death, his estate decided that the first printing of the book should be released in a single volume to preserve the coherence of the massive text.

I don’t want to commit more than a few words here to call attention to this writer who made a simply powerful entrance into my life in the last year or so. I haven’t read this newest book yet, but few authors have moved me like this one. A writer who was willing to admit that “literature is basically a dangerous calling” (check out the entirety of his Caracas Speech), he spoke straight and unflinching to the heart of human matters, be they boring, vile, obscenely beautiful, or entirely forgettable.

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Roundup

http://www.imposemagazine.com/listen-p-heavy/8226/
http://www.imposemagazine.com/deepak-chopra-wants-to-use-windows-vista-to-heal-collective-soul/8241/
http://www.imposemagazine.com/hum-reunite-for-new-years-eve-show-at-chicagos-double-door/8011/
http://www.imposemagazine.com/the-gaslight-anthem-the-59-sound/6513/
http://www.imposemagazine.com/summer-in-the-heliosphere-hot-water-music-at-terminal-5-071208/6504/
http://www.imposemagazine.com/remix-contest-remix-matthew-dear-win-ni-traktor-scratch/7376/
http://www.imposemagazine.com/harmonia-plays-two-upcoming-new-york-dates/7340/
http://www.imposemagazine.com/the-fest-7-festival-dates-announced/6209/
http://www.imposemagazine.com/new-secret-machines-dreaming-of-dreaming/7192/
http://www.imposemagazine.com/tinnitus-ten-years-on-3-portraits-of-past-reunite/6905/
http://www.imposemagazine.com/dig-streams-free/6873/
http://www.imposemagazine.com/brown-eyes-and-eno-were-tired/6804/
http://www.imposemagazine.com/consort-with-anti-pop-consortium/6359/
http://www.imposemagazine.com/london-black-devil-diso-club-ticket-giveaway/6346/
http://www.imposemagazine.com/listen-the-faint-release-new-track-from-fasciination/6177/
http://www.imposemagazine.com/listen-pop-levi-dita-dimone/6061/
http://www.imposemagazine.com/poni-hoax-plays-art-rock-at-art-rock-08/6008/
http://www.imposemagazine.com/remembering-the-future-through-the-playlist-of-a-guy-who-pronounces-it-warp/5946/
http://www.imposemagazine.com/for-one-month-only-i-cut-my-teeth-at-saddle-creek-for-free/5945/
http://www.newyorkcool.com/archives/2008/September/music_Violens_and_Grand_Archives_at_South_Street_Seaport.htm
http://www.newyorkcool.com/archives/2008/August/music_Black_Lips.htm
http://www.newyorkcool.com/archives/2008/September/music_Yo_La_Tengo.htm
http://www.newyorkcool.com/archives/2008/August/music_Liars.htm
http://www.newyorkcool.com/archives/2008/July/music_abe_vigoda.htm
http://www.sensesofcinema.com/contents/08/47/juno.html

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Clearly in this Afternoon

Clearly we will have to turn and come home soon.

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Axolotl speaks: Hum is playing a reunion a reunion show on New Year’s Eve at Chicago’s Double Door.

I have my tickets.

In that emotional space between a good drunk and sobriety, I’m sitting here on this Sunday morning listening to Hum’s monument to perfection, 1997’s Downward is Heavenward, at the infinite and revealing mercy of every moment in that beautiful album that swept off the Illinois prairie and into my permanent regard.

I am particularly vulnerable to the band’s sound for reasons of my nativity, perhaps, with the spacey thunder of those guitars that imply infinity so akin to the endless flat expanses of Illinois fields over which the unbearable heat and humidity of summer shiver. This does not change the fact that this criminally overlooked album should qualify as one of humanity’s few fingertip brushes with G-d.

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