From June 20 to August 7, Film forum is going to be dishing out, by my count, 25 movies starring leading man Tatsuya Nakadai. Appallingly, I have seen all of none of these movies, but I have a chance to fix that now. I’m especially looking forward to seeing him play Natsume Soseki in “I Am a Cat.” As the Film Forum folks (FFF) have so elegantly put it,
With his starring roles in bona fide classics by Kurosawa and Kobayashi, and multiple leading parts for masters as disparate in style and subject matter as Naruse, Okamoto, Gosha, Teshigahara, Kinoshita, and the late Kon Ichikawa, Nakadai’s career provides a core sample right through the heart of the Golden Age of Japanese Cinema.
Details on this found here by clicking on Nakadai’s handsome mug:
If you were inclined to follow that link, then you would have noticed that the first page of the PDF was devoted to outlining the schedule of a retrospective of Godard’s ’60s. Having only seen Alphaville, I think, of all his films still out there circulating and churning with all those images, reproduced everywhere, of that particularly French mind-destroying femininity, I am excited to be able correct the deficit in my learning. Particularly motivating is La Chinoise, which Netflix doesn’t carry and my local, definitively non-yokel hipster video store also doesn’t have on its shelves. Starring a young future Mme. Godard, it follows a young group of ’60s hipsters who form a Maoist cell through the travails of being young and hot and boojie and forming a maoist cell, I would imagine. I’m imaging a French New-wave episode of Friends adapted for the big screen, a bunch of idealistic kids who wish they could have been Futurists but, for reasons of temporal nativity and philosophical fortitude in the end were just part of that whole exciting decade whose anticlimax paved the way for our awareness of virtuality.
Culture! Man, we got a lot of it here. Summer is rolling out of its hibernatory grotto and the flowering mind raises its pistils.